ple of weeks. We had seen the play with Cherry Jones, who won a Tony Award for her role, but we both agree that the movie was a much more powerful experience. The four main actors are equally at the top of their game and turn in amazing performances. Meryl Streep plays Sister Aloysius, principal of the parish school circa 1960's, who faces off against Philip Seymour Hoffman's Father Flynn. Sister Aloysius is an ambitious nun resentful not just of Father Flynn's "modern" ideas, but of his rank and the general sexism within the church. Her suspicions about Father Flynn and his relationship with one of the young male students provide the backbone of the plot. The tension between these two is palpable and is not diminished in any way by the presence of a young, naive nun who is drawn into their conflict (played by the excellent Amy Adams). Viola Davis takes a small role and makes it unforgettable--she captures beautifully the quiet strength and steely determination of a mother trying to do the best by her son in the face of racism, sexism, and an abusive husband. Definitely a must see.
parts, and that the emphasis on the physical aspects of Benjamin's reverse aging left her wanting more insight into his emotional and psychological condition throughout. She also felt that the chemistry between Benjamin (Brad Pitt) and Daisy (Cate Blanchett) wasn't very strong, and that Pitt underplayed the role. While I agree that the relationship between Benjamin and Daisy didn't always seem as powerful as it should have been, I thought the slow pace of the film appropriately mirrored the leisurely tempo of Southern story-telling. I also found Pitt's performance to be subtle and heart-breaking. He made me fell Benjamin’s sadness as he becomes more familiar with death and the reality of each person’s mortality, as he deals with the pain of trying to keep his condition a secret, and as he regrets missed opportunities. Pitt also captures the thrill and excitement of living, his pure joy at being in love and the eagerness with which he sets out to see the world. We both agreed that the performance by Taraji Henson, who plays Benjamin's adoptive mother, is the stand-out role of the movie. We also agree that it was a touching, bittersweet movie that tells an intriguing story using outstanding special effects. Australia--Predictable, light entertainment . . . the plot is one that you've seen many
times (haughty, tightly-wound woman + sexy, rough-around-the-edges man + adventure that binds them together = true love) and uses every cliche in the book. It's also way too long. What did stand out was the choice to narrate the story through the eyes of the young half-caste boy, Nullah, who becomes a surrogate son to the childless Lady Ashley and the free-spirited Drover. Nullah lives in fear of being taken by the government from his real mother to be "re-educated" (i.e., turned white) in a mission school. This meshing of social outrage and romantic adventure does make the movie more interesting. Also, the film is pretty to look at, and the scenes of the outback are certainly beautiful (although there are only so many expansive shots of scenery you can take in two and a half hours). The best scenery in the movie (we have to admit) is Hugh Jackman . . .

On our last trip to NYC, we saw the excellent play,
It's hard to describe





e the stage for the son's production of his first attempt at play writing. In this one scene we see the family dynamics in all their cruelty. Kristen Scott Thomas plays the aging actress, 


introduced his wife to Robin Ellis (the hunky guy who played the role of Poldark in the 70'
s) at a PBS fundraising dinner, and she ended up marrying him after they were divorced! She's still married to him and living in London. Then today at The Seagull (more on this later), who should be in the cast but two Masterpiece Theatre veterans





nd Richard Griffiths. We were not bowled over--mostly because the play itself is rather dated, and the "phychiatrist heal thyself" theme feels a bit cliche. Radcliffe was good in his role (we were surprised by how small he is--5' 5") and you certainly live through his emotional turmoil. The scenes between him and his psychiatrist were the strongest part of the play. I also found the set and staging to be powerful, although Ann didn't agree with me. Lots of young girls mobbed the back stage door, and Radcliffe was very generous about signing autographs and people taking pictures. 






Thursday night we saw Damn Yankees at New York's City Center. It was part of their Encore Series where A-List performers do a short run (3 weeks) in a well known play. It is a sort of summer playhouse for the best of Broadway. This production was just so much fun. The story is the Faustian tale of an aging man's dream of being a baseball star. The devil was played by the wonderful Sean Hayes of Will and Grace fame, and he was hilarious. It was his first time being on the stage in New York, and he delighted the crowd. I hope he comes back for a longer run on Broadway soon. The temptress Lola was played by Broadway and
Around 6:00, we headed to Central Park with the fixings for a picnic with Casey and Ben before seeing the Public Theater's latest production of Hair. We had incredible seats (thank you, Casey!) and watched this 41 year old slice of history. Isn't it hard to believe that this show is 41 years old? It was lots of fun with hippie clothing, drugs, free love, and draft card burnings. We got to see our friend Jonathan Groff again in his first role since Spring Awakening. He was wearing a long crazy wig and played Claude- the hippie who is drafted and who sings some of the best songs of the show. All in all, we had a good time and loved being with our pals Casey and Ben in such a beautiful setting. The play did seem a little bit dated, and at times, it seemed like the actor/singers were playing dress-up, but the second act had more bite to it. The closing scene of the character Claude laying dead on the american flag in his Army uniform was quite powerful.









