Highlights:
- The numbers that feature the young members of the cast: especially "A Lot of Livin' to Do," "Telephone Hour," and the lovely blend of voices in "One Boy"
- Nolan Funk in the role as Conrad Birdie
- The colorful, over the top 60's pop decor, costumes, and set
- John Stamos' charming and light-footed stage presence
- Full orchestra playing great classic, musical theatre standards
- The incredible physique of Gina Gershon, emphasized by a stunning wardrobe
- A very cute curtain-call number
- Gina Gershon was off-key for the whole show
- The casting of the adult roles--No one stands out except Bill Irwin (who the CB's normally love!) and it wasn't in a good way. He had a very strange take on the role of Kim's father that was funny at first, but quickly became annoying.
- No chemistry between Stamos and Gershon
- Nothing, except the amount of money they put into it, that made lifted it beyond the level of a good community theater production
